GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
Where to find Gwenneth...
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
Where to find Gwenneth...
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
Where to find Gwenneth...
Based in Sydney, Tricia Taylor is a Master Pastellist with the Pastel Society of Australia and has won many awards including Pastellist of the Year 2010. Tricia’s work has been published in a variety of national art magazines including Australian Artist, Art Edit and Paint and Draw Magazine UK. Teaching from beginners to advanced students for many years Tricia her workshops are in demand in Australia and internationally including Fiji, New Zealand and the USA.
Unison Pastels, a handmade pastel company form the UK have endorsed Tricia’s artwork by creating the Tricia Taylor pastel sets. Seascape, Rock and Earth and Sand colour selections are available on her website. With their 30th Anniversary in 2017 they have recently made Tricia an Accredited Unison Artist.
LYN
MELLADY
Lyn not only teaches the craft of painting but how to add feeling to it. Her representational works have a sensitivity coming from observation and understanding of her subjects. This is felt by the viewer and fully shared with students. Painting has been a lifelong constant for Lyn, whose artwork ran alongside her teaching until it evolved to become her career.
With five works in Government city collections in Australia and Japan, and many Best in Show, Best Oil and Best Pastel awards, Lyn paints the untamed inland, rivers, portraits or the coastal edge in pastel or oil. Her landscapes and portraits have been shown in Australia’s Regional Galleries.
Her work features in nine art reference books and has also been published in Australian Artist, Pastel International and Australian Palette. A Fellow and Life member of the Australian Guild of Realist Artists and member of the Pastel Societies of Victoria, and Australia (Qld), Lyn is called to judge and teach Australia wide.
Where to find Lyn...
Capturing Grasses
XD3PM
The plant that tells the natural story of the landscape
*information subject to change*
Make your painting personal, not simply a copy.
SW6
Student Experience Level: Some experience to Advanced, however discussion and demonstration will cover all levels.
This is a vital step to becoming the creator of your own vision and style.
Is there ever a perfect painting?
While we all hope to continue our experimenting and learning for as long as we paint, it is easy to simply let techniques become the goal in our constant search to improve our painting.
This one-day workshop will work on you as an individual, not a part of a crowd. Lyn will explain, demonstrate and challenge a small number of artists how to best utilise their many skills and bring their personal creativity and response to their painting. Your painting can become who you are and how you want to express yourself, not someone else’s version.
Rivers that Rush
TD3MM
Rocky ridges, small waterfalls and quieter water pools.
*information subject to change*
Plein Air Session
XPAAM
Head outdoors with Lyn to paint a beautiful Caloundra location.
*information subject to change*
Wild Grass and Flowing River
FW6
Student Experience Level: Some experience is preferred - explanation and demonstration will cover all levels.
This workshop will explore the Australian grassed hillside or paddocks bordering a flowing river. We will consider the effects of light, shade, time of year, colour, ground contour and distance also the riverbank, water flow and reflections
*information subject to change*