GWENNETH

BARTH-WHITE

American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.

“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.

The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."

Where to find Gwenneth...

www.gwennethbarth.com/

GWENNETH

BARTH-WHITE

American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.

“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.

The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."

Where to find Gwenneth...

www.gwennethbarth.com/

GWENNETH

BARTH-WHITE

American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.

“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.

The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."

GWENNETH

BARTH-WHITE

American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.

“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.

The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."

GWENNETH

BARTH-WHITE

American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.

“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.

The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."

Where to find Gwenneth...

www.gwennethbarth.com/

Based in Sydney, Tricia Taylor is a Master Pastellist with the Pastel Society of Australia and has won many awards including Pastellist of the Year 2010. Tricia’s work has been published in a variety of national art magazines including Australian Artist, Art Edit and Paint and Draw Magazine UK. Teaching from beginners to advanced students for many years Tricia her workshops are in demand in Australia and internationally including Fiji, New Zealand and the USA.

Unison Pastels, a handmade pastel company form the UK have endorsed Tricia’s artwork by creating the Tricia Taylor pastel sets. Seascape, Rock and Earth and Sand colour selections are available on her website. With their 30th Anniversary in 2017 they have recently made Tricia an Accredited Unison Artist.

TUTORS EXHIBITION

2018

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Karol Oakley - 'Evening's Last Embrace' 90X50cm

Karol Oakley - 'Toward Newland Head' 38X30cm

Lyn Mellady - 'Clean and Clear' 98X78cm

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A Rush of Foam 78x65cms LMellady.jpg

Like Minds-When Harry met Olllie pastel

Penelope Gilbert-Ng Self Portrait Pastel

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Tricia Reust - 'Carmen on Green' 92X78.5cm

Lyn Mellady - 'A Rush of Foam' 78X65cm

Tricia Reust - 'Shifting the Orange' 71X91cm

Penelope Gilbert-Ng

'Penelope Gilbert-Ng -Self Portrait' 65X97cm

Penelope Gilbert-Ng - 'Like Minds - When Harry Met Ollie' 59X69cm

Pauline Adair - 'Drama Queen' 57X50cm

Maxine Thompson - 'Rachida' 45X70cm

Maxine Thompson - 'Sahara Cameleer'

31X41cm

Robyn Receveur - 'Ocker' 53.5X63.5

Robyn Receveur - 'Breeze' 60X56cm

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Hettie Rowley - 'Lacey Things' 53X42cm

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Hettie Rowley - 'The Singing Bowl' 67X51cm

Chris Blake - 'All Hands on Deck' 89X91cm

Chris Blake - 'Brumby Run' 94X82cm

Woolshed Sheep Pas 22 x 32 cm June 2018

9. Approaching Storm. Pastel. 55x40cm.ma

Max Wilks - 'Approaching Storm'

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Lyn Diefenbach - 'Beacon of Light' 58X52cm

Lyn Diefenbach - 'Bubbling Over'

60X87cm

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Christine Clark - 'Lonely Days' 100X82

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Leonie Duff - 'Needle and Thread'

46X64cm

Leonie Duff - 'Washing Day ' 64X46cm

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David Newman White - 'John' 79X98cm

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Tricia Taylor - 'Hope' 80X70cm

Tricia Taylor - 'Sydney Rockpools' 86X58cm

Ross Paterson - 'Woolshed Light ' 61X52cm

David Newman White - 'Lee' 75X95cm

Anne Yang - Indarri Falls Boodjamullla N

Anne Yaxng - 'Indarri Falls, Boodjamulla NP' 95X65cm

Anne Yang - 'The Cliffs of Mohar' 91X71cm

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Betty Sutton - 'Autumn' 47X58cm

Louise Corke - 'Full of Vim' 30X40cm

Louise Corke - 'Meandering Forward' 46X32cm

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Betty Sutton - 'Waiting' 50X85cm

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Joan Macnaught - 'Dry Inspirations' 68X82cm

Joan Macnaught - 'Still Life with Boots'

73X93cm

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Pauline Adair - 'Sophie Sleeps' 98X70cm

Liz Haywood-Sullivan - 'Peaceful' 46X46

Sandra Temple - 'Best Buddies' 58X48cm

Sandra Temple - 'Platyplops' 58X48cm