GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
Where to find Gwenneth...
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
Where to find Gwenneth...
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
GWENNETH
BARTH-WHITE
American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste and Vice-President of the 150-year-old Société des Pastellistes de France; she's a Master Pastelist of the Pastel Society of America, a member of the IAPS Master Circle. Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
“I’m very honoured to have a chance to be part of Australian Pastel Expo. I’ve always been intrigued by the outstanding artists in this country. This will be a wonderful opportunity to consolidate the world-wide network of pastel artists. Exploring the myriad of possibilities in artistic expression has always been a siren’s call for me. Finding a creative diluted ground for the juxtaposition of pastel…how exciting! Working on a rough surface? Or with strong colour, or just a whisper? Maybe just a simple drawing is enough, but how about a wonderful, rich, unctuous painting? All of this is endlessly inspiring.
The human figure still remains my main inspiration: the expressions and moods encompassed in a human presence. How a person relates to existence...this catches me in a place where I simply have to react. I think that attendees can make the most of the Expo experience by putting all prior knowledge and judgement aside, in order to fully explore and absorb what is offered."
Where to find Gwenneth...
Based in Sydney, Tricia Taylor is a Master Pastellist with the Pastel Society of Australia and has won many awards including Pastellist of the Year 2010. Tricia’s work has been published in a variety of national art magazines including Australian Artist, Art Edit and Paint and Draw Magazine UK. Teaching from beginners to advanced students for many years Tricia her workshops are in demand in Australia and internationally including Fiji, New Zealand and the USA.
Unison Pastels, a handmade pastel company form the UK have endorsed Tricia’s artwork by creating the Tricia Taylor pastel sets. Seascape, Rock and Earth and Sand colour selections are available on her website. With their 30th Anniversary in 2017 they have recently made Tricia an Accredited Unison Artist.
TRICIA TAYLOR
Tricia Taylor is a Master Pastellist from Queensland, Australia with over 20 years of experience working with pastels. Having an impressionistic style of realism Tricia’s work has life and movement focusing on the beauty of light. She has awards in landscape, seascape, still life, florals and portraits along with being awarded Pastellist of the Year 2010.
"I paint using a variety of medium including pastels, oils and watercolour, it is the light that has always fascinated me. It has so many meanings and significance in life. It brings clarity, hope and unveils our path. The moment between night and day as light fills the sky with colour, this Kairos moment, brings me deep joy. With art as the vehicle, I tell the story of light whether it is the hope of a sunrise, the light falling on a child’s face to reveal their innocence or the path of light as it falls on the velvet petal of a flower. I aim to share the light of God that lives in me and is revealed in creation into the lives of others to bring just a little more joy into their hearts.”
As an Accredited Unison artist Tricia has been given her own selections of Unison pastel sets. Including Seascape, Earth and Rock, Sand and more that can be ordered from her website. www.taylorart.com.au Teaching from beginners to advanced students for 13 years. Tricia’s workshops are in demand in Australia and internationally.
Where to find Tricia...
Easy Light over the Ocean
There is a moment of light between night and day that explodes with colour. But it only lasts a moment. This demonstration will show you how I capture this kairos moment. Watch as I step you gently through the colour wheel giving glow to the sky and harmony to the artwork.
*information subject to change*
Colour Chords: How to make a painting sing.
Student Experience Level: All levels
The world of colour to an artist in amazing, endless, intriguing but also confusing. Why do some paintings I see absolutely sing when others look like something isn't quite right but I can't pinpoint it. This workshop will explore how to use colour chords to create harmony and contrast. Learning how to control colour and help your artwork sing.
*information subject to change*
Sunset Skies
Student Experience Level: Some experience needed
The beauty of a sunset sky is intoxicating. The showcase of colour can be breathtaking to watch but difficult to capture.
In this workshop we will learn techniques to stay clean, not make mud and learn how to transition from one tone to another using colour bridges. The workshop will cover a lot of colour theory and pastel application techniques as we paint a sunset.
*information subject to change*